Such a device is likely to cost rather more than your budget soundcard, but at least it will still be useful when you eventually come to upgrade your soundcard or switch to a hardware audio interface. This means choosing a mixer, preamp or voice channel with a digital output. Because the converters used in budget cards are not always of the highest quality (or, as is more often the case, are compromised by poor circuit-board layout), the best results are usually achieved by using the card's digital input. The only practical option with such cards is to feed them from a mixer, a separate mic preamp or a voice channel. Even if the preamp is sensitive enough, it is extremely unlikely to provide the phantom-powered balanced input required by most capacitor microphones. These work rather better than they should for the price, but still don't approach the quality or sensitivity needed for serious vocal or instrumental recording. Soundcardsīudget soundcards intended primarily for the games market often include both mic and line inputs, but while the line input may offer adequate quality, the mic input is usually designed to accept a low-cost electret microphone, often bundled with the card. ![]() ![]() This article looks at some of the options, with a view to pointing out their weaknesses as well as their strengths. Though some audio interfaces include mic preamps, most offer either line-level analogue or some form of digital input, which leaves the user with the problem of how to get the best-quality signal into the system. The all-digital, computer-based studio may have finally come of age, but there will never be plug-ins that can substitute for mics, mic preamps and monitoring systems. Find out how to get the highest-quality audio into your computer music system.
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